Lennie Briski, March 06th , 2018.
Characteristic of this style is the enrichment of every surface with flamboyant carved, turned, inlaid, and painted decoration, which strongly reflects the spirit of the English Renaissance. During Elizabeth I's reign there was a considerable and fairly widespread increase in domestic comfort, to be seen in improved construction, multiplication of types, and the tentative beginnings of upholstered furniture. A series of inlaid chests with perspective architectural scenes, often called nonesuch chests, were either imported from Germany or made by German workmen in England. They were influential in propagating the technique of inlaid decoration, which by the end of the century was being applied to every type of furniture.
Strapwork, cartouches, and grotesque masks are characteristic features of this northern Renaissance style, and are found repeatedly in the pattern books of German and Flemish artists of the time—books of ornament which circulated among and influenced metalworkers, carvers, plasterers and furniture makers throughout the north. Heavy oak tables, sometimes draw (extension) tables, had massive legs and solid stretchers. Beds were heavily draped to provide privacy, as the bed might be located in any room of the house. Folding wooden chairs and low stools, with more or less elaborate turnery, were still used, besides a new type with baluster-formed or twisted legs and arms, and straight backs heightening through the 17th century.
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