The royal footstool was painted with the figures of traditional enemies of Egypt so that the pharaoh might symbolically tread his enemies under his feet. Carvings of animal feet on straight chair legs were common, as were legs shaped like those of animals. Boxes, often elaborately painted, or baskets were used for keeping clothes or other objects. Tables were almost unknown; a pottery or wooden stand supporting a flat basketwork tray held dishes for a meal, and wooden stands held great pottery jars containing water, wine, or beer. The Egyptians used thin veneers of wood glued together for coffin cases; this gave great durability. Egyptian furniture in general was light and easily transportable; its decoration was usually derived from religious symbols, and stylistic change was very slow.
The Rococo Chinese taste had conventions of its own: pagodas, exotic birds, Chinese figures, icicles, and dripping water. The graceful bombé commode, often with marble top and two or three drawers, the surface enriched with finely modelled ormolu mounts, was popular. Under Cressent's influence the mounts predominated, though later in the century the marquetry decoration gained first importance. Commodes and other pieces were decorated with marquetry of floral or geometrical patterns, or sometimes with lacquer decoration, again combined with ormolu mounts. The most celebrated makers of mounts during Louis XV's reign were Jacques Caffieri and his son Philippe. Jean-François Oeben was made ébéniste du roi (cabinetmaker to the king) in 1754; a pupil of Boulle, he was the most celebrated cabinetmaker of the period.
Woods and Ornamentation, A number of different types of woods were used during this period including rosewood and mahogany with rich graining. Some pieces had pine bases with mahogany veneers, and when crafted nicely together they had the appearance of solid wood. Those with simpler graining in the veneer usually fall into the cottage furniture category. Marble tops on tables were also popular during this period. Ormolu laurel wreaths decorated the sides and fronts of desks and cabinets to help to prevent scratching and nicks in the wood. High relief carvings included pineapples, cornucopias, acanthus leaves, and the statement-making caryatid. “The Sphinx, resembling a Pharaoh's head on a body of a lion with claw feet, enthralled everyone. Soon claw feet became an Empire icon bedecking everything from chairs to beds,” said Frank Farmer Loomis IV in Antiques 101. However, claw feet on American pieces were mostly carved while on French styles they tended to be ormolu. He also notes that legs for tables and other pieces were often fashioned like classically shaped columns.
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