By 1700 the effect of French and Dutch fashions on late Stuart furniture in England had become evident in the American colonies. Fashion consciousness appeared, though for decades to come the furniture of the average colonial home kept to the earlier tradition evolved from medieval joining. The box chest was succeeded by the chest of drawers, often placed on a stand with turned legs. Chairs began to replace stools; and the early heavy, turned, and wainscot (panelled back) types gave way to simplified versions of the high-back scrolled forms of the English Restoration fashion. The daybed appeared with its upholstered pad. Small folding tables, cabinets, and the tiered dresser to store and display tableware testify to the rapidly increasing standard of comfort among the more prosperous. Carved surface decoration was largely replaced by colour, through the use of paint, veneers, or inlays of contrasting wood.
The more elegant pieces are the ones that get the most attention from collectors and antique furniture aficionados. “Empire furnishings with their undulating scrolls balancing heavy geometric shapes, complemented the Greek Revival architecture of the period. Ornament was carved in high relief; inlays were abandoned in favor of stenciling and gilded brass or bronze decoration. Other pieces were kept simple by omitting carving and emphasizing the overall line,” shared Schwartz. Furniture examples in the Empire style include the Klismos side chair, two daybed styles called the Méridienne and the Récamier, the popular pier table, the Scroll-end sofa (see a typical settee example illustrated above), and the sleigh bed to name a few.
Characteristic of this style is the enrichment of every surface with flamboyant carved, turned, inlaid, and painted decoration, which strongly reflects the spirit of the English Renaissance. During Elizabeth I's reign there was a considerable and fairly widespread increase in domestic comfort, to be seen in improved construction, multiplication of types, and the tentative beginnings of upholstered furniture. A series of inlaid chests with perspective architectural scenes, often called nonesuch chests, were either imported from Germany or made by German workmen in England. They were influential in propagating the technique of inlaid decoration, which by the end of the century was being applied to every type of furniture.
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