Greece. Principal furniture forms were couches, chairs (with and without arms), stools, tables, chests, and boxes. From extant examples, the depiction of furniture on vases and in relief carvings, and literary descriptions, much more is known about Greek furniture than about Egyptian. At Knossos, a built-in throne of stucco, much restored, is often considered to represent pre-Hellenic furniture in the Aegean area. Primitive Aegean pottery shows rounded chair forms, perhaps indicating basketry models, and Bronze Age sculpture shows complex-membered chair frames. In ancient Greek homes, the couch, used for reclining by day and as a bed by night, held an important place. The earliest couches probably resembled Egyptian beds in structure and possibly in style.
The Rococo Chinese taste had conventions of its own: pagodas, exotic birds, Chinese figures, icicles, and dripping water. The graceful bombé commode, often with marble top and two or three drawers, the surface enriched with finely modelled ormolu mounts, was popular. Under Cressent's influence the mounts predominated, though later in the century the marquetry decoration gained first importance. Commodes and other pieces were decorated with marquetry of floral or geometrical patterns, or sometimes with lacquer decoration, again combined with ormolu mounts. The most celebrated makers of mounts during Louis XV's reign were Jacques Caffieri and his son Philippe. Jean-François Oeben was made ébéniste du roi (cabinetmaker to the king) in 1754; a pupil of Boulle, he was the most celebrated cabinetmaker of the period.
England. The Italian Renaissance did not affect the design or ornament of furniture in England until about 1520. Evolution from the Gothic style was a gradual process, influence coming first from Italy and, in the second half of the 16th century, from the Low Countries. In the early stages, furniture remained Gothic in form, though Italian motifs slowly replaced the older Gothic ornament. Many pieces of early Renaissance English furniture combined linenfold panelling with medallion heads and Italianate cupids, but by the middle of the century both new ornament and new forms had replaced the medieval style. About the middle of the century the direct influence of Italy weakened, and its place was taken by that of the Low Countries. The northern style of Renaissance ornament was propagated in England by pattern books, immigrant workmen, and imported Flemish and German furniture, and before long it was adapted by English craftsmen into an individual and peculiarly English style.
Any content, trademark/s, or other material that might be found on the Snokey website that is not Snokey’s property remains the copyright of its respective owner/s.pointgreypictures.com
In no way does Snokey claim ownership or responsibility for such items, and you should seek legal consent for any use of such materials from its owner.