The royal footstool was painted with the figures of traditional enemies of Egypt so that the pharaoh might symbolically tread his enemies under his feet. Carvings of animal feet on straight chair legs were common, as were legs shaped like those of animals. Boxes, often elaborately painted, or baskets were used for keeping clothes or other objects. Tables were almost unknown; a pottery or wooden stand supporting a flat basketwork tray held dishes for a meal, and wooden stands held great pottery jars containing water, wine, or beer. The Egyptians used thin veneers of wood glued together for coffin cases; this gave great durability. Egyptian furniture in general was light and easily transportable; its decoration was usually derived from religious symbols, and stylistic change was very slow.
Egypt, beds, stools, throne chairs, and boxes were the chief forms of furniture in ancient Egypt. Although only a few important examples of actual furniture survive, stone carvings, fresco paintings, and models made as funerary offerings present rich documentary evidence. The bed may have been the earliest form; it was constructed of wood and consisted of a simple framework supported on four legs. A flax cord, plaited, was lashed to the sides of the framework. The cords were woven together from opposite sides of the framework to form a springy surface for the sleeper. In the 18th dynasty (c. 1567–1320 BCE) beds sloped up toward the head, and a painted or carved wooden footboard prevented the sleeper from slipping down.
Spain. Because of the long occupation of Spain by the Moors, a style called Mudéjar evolved. While furniture in this style remained in form essentially European, decoration had an oriental flavour. A type of cabinet known as vargueno was typically Spanish. The upper part, in chest form, with drawers inside, had a fall front (a hinged writing surface that opened by falling forward), often elaborately mounted in wrought iron and backed by velvet, with a massive iron lock. The cabinets were richly carved, painted, gilded, and inlaid with ivory in a Moorish manner. There was a tendency for Italian models to be followed in the furniture of the 16th and 17th centuries. Low Countries, in the 16th century, Italian Renaissance ornament was adopted and transformed by artists and designers of northern Europe, particularly in northern Germany and the Low Countries, who created an independent style of decoration.
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