Early in the 16th century a new style of bed design appeared; the greater part of the frame was left exposed and was enriched with carving and other decoration, making the frame itself an important part of the design. Favourite carvers' motifs for beds and other types of furniture included strapwork, grotesque masks, and caryatids (draped female figures), bulbous turned pillars and supports, arcading (decorating consisting of arches or arcades), and patterns of scrolled foliage. The heavily turned “cup and cover” motif is frequently found on bedposts in the later 16th century. The cumbersome Gothic trestle tables were replaced by “joyned tables,” with tops fixed to the frames. Draw tables, which could be conveniently lengthened by pulling out the two leaves concealed under the top, were also introduced. Table legs and sides were decorated with carving and inlay, and the cup and cover motif is often found on the legs. Various types of cupboards were made, usually in two stages, or levels. In court cupboards both stages were left open. A simple form of chest of drawers was introduced about 1620.
Woods and Ornamentation, A number of different types of woods were used during this period including rosewood and mahogany with rich graining. Some pieces had pine bases with mahogany veneers, and when crafted nicely together they had the appearance of solid wood. Those with simpler graining in the veneer usually fall into the cottage furniture category. Marble tops on tables were also popular during this period. Ormolu laurel wreaths decorated the sides and fronts of desks and cabinets to help to prevent scratching and nicks in the wood. High relief carvings included pineapples, cornucopias, acanthus leaves, and the statement-making caryatid. “The Sphinx, resembling a Pharaoh's head on a body of a lion with claw feet, enthralled everyone. Soon claw feet became an Empire icon bedecking everything from chairs to beds,” said Frank Farmer Loomis IV in Antiques 101. However, claw feet on American pieces were mostly carved while on French styles they tended to be ormolu. He also notes that legs for tables and other pieces were often fashioned like classically shaped columns.
England. The Italian Renaissance did not affect the design or ornament of furniture in England until about 1520. Evolution from the Gothic style was a gradual process, influence coming first from Italy and, in the second half of the 16th century, from the Low Countries. In the early stages, furniture remained Gothic in form, though Italian motifs slowly replaced the older Gothic ornament. Many pieces of early Renaissance English furniture combined linenfold panelling with medallion heads and Italianate cupids, but by the middle of the century both new ornament and new forms had replaced the medieval style. About the middle of the century the direct influence of Italy weakened, and its place was taken by that of the Low Countries. The northern style of Renaissance ornament was propagated in England by pattern books, immigrant workmen, and imported Flemish and German furniture, and before long it was adapted by English craftsmen into an individual and peculiarly English style.
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