Egypt, beds, stools, throne chairs, and boxes were the chief forms of furniture in ancient Egypt. Although only a few important examples of actual furniture survive, stone carvings, fresco paintings, and models made as funerary offerings present rich documentary evidence. The bed may have been the earliest form; it was constructed of wood and consisted of a simple framework supported on four legs. A flax cord, plaited, was lashed to the sides of the framework. The cords were woven together from opposite sides of the framework to form a springy surface for the sleeper. In the 18th dynasty (c. 1567–1320 BCE) beds sloped up toward the head, and a painted or carved wooden footboard prevented the sleeper from slipping down.
Characteristic of this style is the enrichment of every surface with flamboyant carved, turned, inlaid, and painted decoration, which strongly reflects the spirit of the English Renaissance. During Elizabeth I's reign there was a considerable and fairly widespread increase in domestic comfort, to be seen in improved construction, multiplication of types, and the tentative beginnings of upholstered furniture. A series of inlaid chests with perspective architectural scenes, often called nonesuch chests, were either imported from Germany or made by German workmen in England. They were influential in propagating the technique of inlaid decoration, which by the end of the century was being applied to every type of furniture.
France. The furniture of France was among the first to be influenced by the Italian Renaissance. Louis XII and many of his court visited Italy and soon took Italian artists and craftsmen and works of art into France. The French Renaissance of furniture can be divided into two stages. First was a period of transition and adaptation; during the reign of Louis XII and the first part of the reign of Francis I, the pieces were basically Gothic in form, and Gothic ornament was mixed with the cupids, medallion heads, and grotesque decorations of the incoming Renaissance style. During the second phase, from the end of the reign of Francis I, the new style displaced the Gothic. The more exuberant arabesque shapes of Renaissance decoration, however, gave way to increasingly architectural design, and oak was almost entirely superseded by walnut. Centres of furniture making were established at Fontainebleau, where Francis I employed several Italian artists and craftsmen; in Île-de-France, headed by the work of Jacques du Cerceau; and in Burgundy, where, led by the craftsman and designer Hugues Sambin, design was influenced by the Renaissance style evolved in the Netherlands.
Any content, trademark/s, or other material that might be found on the Snokey website that is not Snokey’s property remains the copyright of its respective owner/s.pointgreypictures.com
In no way does Snokey claim ownership or responsibility for such items, and you should seek legal consent for any use of such materials from its owner.