By 1700 the effect of French and Dutch fashions on late Stuart furniture in England had become evident in the American colonies. Fashion consciousness appeared, though for decades to come the furniture of the average colonial home kept to the earlier tradition evolved from medieval joining. The box chest was succeeded by the chest of drawers, often placed on a stand with turned legs. Chairs began to replace stools; and the early heavy, turned, and wainscot (panelled back) types gave way to simplified versions of the high-back scrolled forms of the English Restoration fashion. The daybed appeared with its upholstered pad. Small folding tables, cabinets, and the tiered dresser to store and display tableware testify to the rapidly increasing standard of comfort among the more prosperous. Carved surface decoration was largely replaced by colour, through the use of paint, veneers, or inlays of contrasting wood.
France. The furniture of France was among the first to be influenced by the Italian Renaissance. Louis XII and many of his court visited Italy and soon took Italian artists and craftsmen and works of art into France. The French Renaissance of furniture can be divided into two stages. First was a period of transition and adaptation; during the reign of Louis XII and the first part of the reign of Francis I, the pieces were basically Gothic in form, and Gothic ornament was mixed with the cupids, medallion heads, and grotesque decorations of the incoming Renaissance style. During the second phase, from the end of the reign of Francis I, the new style displaced the Gothic. The more exuberant arabesque shapes of Renaissance decoration, however, gave way to increasingly architectural design, and oak was almost entirely superseded by walnut. Centres of furniture making were established at Fontainebleau, where Francis I employed several Italian artists and craftsmen; in Île-de-France, headed by the work of Jacques du Cerceau; and in Burgundy, where, led by the craftsman and designer Hugues Sambin, design was influenced by the Renaissance style evolved in the Netherlands.
Many of these chairs had exaggeratedly high backs terminating in elaborately carved canopies; some were freestanding, while others had their backs fixed to the wall in the manner of a church stall. Settles were also used for seating during the 15th century. An innovation on the Continent was the settle with a pivoted bar forming the backrest, which could be swung over to allow a person to sit on either side—evidence of the weight of the furniture of this period. Tables were mainly of trestle construction (with a braced frame serving as a support for the tabletop) with long rectangular tops that could be dismantled. During the 15th century on the Continent, smaller tables were made which could be more conveniently moved and, especially, drawn up to the fire. Various forms of cupboards, ambries, and dressoirs were developed at this time, panelled and decorated with linenfold or Gothic carved ornament. All these types were basically a chest with doors, of simple rectangular form raised on legs; elaborations of construction and decoration soon followed, as did the specialization of their functions.
Any content, trademark/s, or other material that might be found on the Snokey website that is not Snokey’s property remains the copyright of its respective owner/s.pointgreypictures.com
In no way does Snokey claim ownership or responsibility for such items, and you should seek legal consent for any use of such materials from its owner.