Working in The Empire Style. Charles-Honore' Lannuier, a French immigrant, was one of the first cabinetmakers to introduce this style in America, according to Schwartz. He added gilded carving to his pieces that made them elegant and appealing in his New York workshop. Duncan Phyfe's shop was influenced by this style as well in the 1820s and 1830s, but in a much more restrained way although still quite elegant in its appearance. But the more elaborate designs came out of Boston and Philadelphia. All the craftsmen working in this style were likely fed by publications of the day. They included designs based on those shown in British author Thomas Hope's Household Furniture and Interior Design and others adapted from French styles. Of course, the name Empire originating from the French wasn't used in England due to political conflicts with France at the time. The British preferred Regency as their moniker for the style with many of the same elements. Americans, being friendlier with the French than England after our own conflict for independence, took to the name Empire more readily back then, and it endures when describing these pieces today. Occasionally the term Classical will be used to describe these styles as well.
Also found are pairs of solid slabs ornamented in high relief, carrying carved tops of marble or wood.Pompeian wall paintings show that plain, undecorated wooden tables and benches were used in kitchens and workshops, and some household possessions were kept in cupboards with panelled doors. Rectangular footstools, sometimes with claw feet, were used with the high chairs and couches. Small bronze tripods and stands were also items of Roman furniture. Clothes and money were stored in large wooden chests with panelled sides, standing on square or claw feet. Roman treasure chests were covered with bronze plates or bound with iron and provided with strong locks. Jewelry and personal belongings were kept in caskets, in small round or square boxes, or even in baskets.
The American colonies. As in all colonial settlements, the furniture of the American colonies reflected the style preferences of the individual national groups. This influence, coupled with the existence of new materials and the time lag in transmitting styles and tastes from the home country, in some instances produced highly individual furniture. Information in inventories and wills about 17th-century furniture of the English colonies indicates that it existed in its simplest forms—stools, benches, tables, cupboards, and a few chairs. This furniture, often made of oak, recalled the tradition of Elizabethan England and was turned and decorated with chip carving, often picked-out in earth colours. By the end of the century, pine, maple, and other woods were used. The Dutch and Scandinavian settlers carried with them individual furniture forms whose influence remained local.
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