How to Make a Neoclassical Room, Elegant, luxurious and romantic, the Neoclassical interior design style infuses any room with European formality. A style that first emerged in 18th-century Britain and France, Neoclassical decor draws on classic Greek and Roman art and architecture by featuring columns, swags, gilt, classical reliefs and opulent furnishings. This design scheme adds sophistication to any space, but avoid over-decorating with these ornate items or your room can quickly go from grand to gaudy. Neoclassical furniture embraced clean, straight lines and geometric shapes, while still incorporating some of detailed carvings so prominent in the preceding Baroque and Rococo periods. Look for refined pieces that feature design elements such as tapered, fluted or reeded legs, gold gilt accents, scrolls, medallions, rosettes and lyre designs.
The more elegant pieces are the ones that get the most attention from collectors and antique furniture aficionados. “Empire furnishings with their undulating scrolls balancing heavy geometric shapes, complemented the Greek Revival architecture of the period. Ornament was carved in high relief; inlays were abandoned in favor of stenciling and gilded brass or bronze decoration. Other pieces were kept simple by omitting carving and emphasizing the overall line,” shared Schwartz. Furniture examples in the Empire style include the Klismos side chair, two daybed styles called the Méridienne and the Récamier, the popular pier table, the Scroll-end sofa (see a typical settee example illustrated above), and the sleigh bed to name a few.
The Rococo Chinese taste had conventions of its own: pagodas, exotic birds, Chinese figures, icicles, and dripping water. The graceful bombé commode, often with marble top and two or three drawers, the surface enriched with finely modelled ormolu mounts, was popular. Under Cressent's influence the mounts predominated, though later in the century the marquetry decoration gained first importance. Commodes and other pieces were decorated with marquetry of floral or geometrical patterns, or sometimes with lacquer decoration, again combined with ormolu mounts. The most celebrated makers of mounts during Louis XV's reign were Jacques Caffieri and his son Philippe. Jean-François Oeben was made ébéniste du roi (cabinetmaker to the king) in 1754; a pupil of Boulle, he was the most celebrated cabinetmaker of the period.
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