These innovations accompanied the use of the cabriole, or reverse curve, which, about 1725, became the favoured form for legs of chairs, tables, cabinets, and stands. At first it had little or no carving and a simple paw foot, but the design was elaborated, and this cabriole leg became the principal feature of the so-called Queen Anne style that dominated colonial furniture designs until the Revolution. Walnut became the principal wood of the early 18th century. 18th century: the Rococo style. The influence of French furniture was predominant in Europe during the 18th century. In the second half of the century England played a leading role in establishing the Neoclassical style, and for supreme craftsmanship provided an inspiration to workshops in several countries; but in the diffusion of the two styles, the Rococo and the Neoclassical, French designs were universally imitated, with varying degrees of success.
Fabrics and upholstery in a Neoclassical design should be in rich, but muted hues, such as moss greens, grayish blues, dusty pinks, subdued maroons and crisp, classic whites. Wide stripes and repeating patterns were popular prints during the period, along with toiles depicting Greco-Roman motifs. Ornate vases and urns were the decorative accessory to have in a Neoclassical design. These vessels were often designed in a solid color and embellished with white designs in repeating patterns, such as garlands or swags. Many Neoclassical accessories featured mythical creatures such as griffins, satyrs and even Sphinxes when Egyptian influences became popular in the latter half of the Neoclassical era. Introduce these design elements in lamps, paintings, pillows, mirrors and other thematic accessories.
The Renaissance. Italy, from the beginning of the Renaissance in the early 15th century, there were changes in furniture forms that were to spread over Europe. The growth of a wealthy and powerful bourgeoisie caused the building of more substantial houses and a demand for good furniture. Italian Renaissance furniture shows a strong architectural bias, and the purpose of the piece, as in Roman furniture, was subordinate to its form. The furniture of the early Italian Renaissance is often restrained, with beautiful, simple designs carved in walnut For more elaborate work, sculpture in low relief and stucco modelled in intricate patterns were much used. The stucco was usually gilded all over and picked out in bright colours.
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