Beginning of 18th century the agricultural revolution spread across Britain, Europe, and Americas. With new methods of farming and intense labour there was tremendous production of agricultural products which led to surplus in food production. This resulted in pulling down the prices and farmers prosperity increased, the farmers started to move towards rapidly expanding towns. In 1760, a second revolution got under way in Britain as industrial revolution. With the new machinery powered by coal and water, the steam engine revolutionized the manufacture of textile and eventually led to mass production of furniture and other household goods. Alongside both the revolutions was a cultural revolution known as Enlightment, a philosophical attempt to rationalize the replacement of customs, traditions, and religion with reason and natural law. It was a period of two of the most important political revolution in history, The American Revolution of 1776 against British colonial rule that led to the independence of the United States of America; and the French Revolution of 1789 that overthrew the monarchy and introduced new ideas of liberty, equality and fraternity.
The cassone, or marriage coffer (hope chest), was a form on which the craftsman's skill was lavished. In addition to elaborate relief work and gilding, these coffers often were painted on the front and sides and occasionally inside the lid as well, with appropriate biblical or mythological scenes. Motifs popular with the Italian carver included cupids, grotesque masks, scrolled foliage, and strapwork. The fixed writing desk is the forerunner of the writing bureau, which became an indispensable article of furniture as writing became more general. A type of chair called a sgabello was much favoured at this time in Italy. The seat was a small wooden slab, generally octagonal, supported at front and back by solid boards cut into an ornamental shape; an earlier variety was supported by two legs at the front and one in the rear; a solid piece of wood formed the back. Another chair of the period was the folding X-shaped chair, sometimes called a Dante chair. Tables were generally oblong, supported by columns, consoles (brackets), or terminal figures, with a long central stretcher running from end to end. Italian Renaissance furniture forms reshaped the furniture of the remainder of Europe.
Chairs remained scarce throughout the Middle Ages, and occupation of a chair long symbolized authority or a mark of honour, and even a large house might possess only chairs for the lord and his wife and perhaps another for a distinguished visitor; the use of the word chairman is a modern reflection of this medieval custom. Early chairs constructed of turned spindles, seen in Romanesque sculpture, have already been mentioned. Later there were two main types. One was a variety of folding chair, with X-shaped frame, made of both wood and metal, the seat and back consisting of rectangular strips of some strong fabric or leather. Eventually there evolved a heavier type of chair. This was basically a development of the chest, and in many cases the seat was hinged, allowing the base to be used for storage. Panelling, often carved with linenfold and sometimes with other Gothic motifs, was used on the back, arms, and base.
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