Later Middle Ages. In the 14th and 15th centuries there were many developments both in construction and design of furniture throughout Europe; a range of new types, among them cupboards, boxes with compartments, and various sorts of desks, evolved slowly. Most of the furniture produced was such that it could be easily transported. A nobleman who owned more than one dwelling place usually had only one set of furnishings that he carried with him from house to house. Anything that could be moved, and this frequently included the locks on the doors and the window fittings, was carried away and used to furnish the next house en route. Furniture was so scarce that it was quite usual for a visitor to bring his own bed and other necessities with him. These conditions had a double effect on medieval furniture, not only making it difficult for men to possess more than the basic types of furniture but also affecting the design of the furniture itself. Folding chairs and stools, trestle tables with removable tops, and beds with collapsible frameworks were usual.
The chest was the basic type of medieval furniture, serving as cupboard, trunk, seat, and, if necessary, as a simple form of table and desk. It was from this versatile piece of furniture that several other types, such as the cupboard and the box chair, were evolved. Chests were made of six planks, crudely pegged or nailed together and frequently strengthened with iron banding. Examples of this sort, dating from the 13th century and in many instances found in churches, are among the earliest pieces of extant European furniture. The chest remained one of the most important pieces of furniture until the end of the 15th century, when on the Continent the cupboard began to compete with it in usefulness.
The cassone, or marriage coffer (hope chest), was a form on which the craftsman's skill was lavished. In addition to elaborate relief work and gilding, these coffers often were painted on the front and sides and occasionally inside the lid as well, with appropriate biblical or mythological scenes. Motifs popular with the Italian carver included cupids, grotesque masks, scrolled foliage, and strapwork. The fixed writing desk is the forerunner of the writing bureau, which became an indispensable article of furniture as writing became more general. A type of chair called a sgabello was much favoured at this time in Italy. The seat was a small wooden slab, generally octagonal, supported at front and back by solid boards cut into an ornamental shape; an earlier variety was supported by two legs at the front and one in the rear; a solid piece of wood formed the back. Another chair of the period was the folding X-shaped chair, sometimes called a Dante chair. Tables were generally oblong, supported by columns, consoles (brackets), or terminal figures, with a long central stretcher running from end to end. Italian Renaissance furniture forms reshaped the furniture of the remainder of Europe.
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