Later Middle Ages. In the 14th and 15th centuries there were many developments both in construction and design of furniture throughout Europe; a range of new types, among them cupboards, boxes with compartments, and various sorts of desks, evolved slowly. Most of the furniture produced was such that it could be easily transported. A nobleman who owned more than one dwelling place usually had only one set of furnishings that he carried with him from house to house. Anything that could be moved, and this frequently included the locks on the doors and the window fittings, was carried away and used to furnish the next house en route. Furniture was so scarce that it was quite usual for a visitor to bring his own bed and other necessities with him. These conditions had a double effect on medieval furniture, not only making it difficult for men to possess more than the basic types of furniture but also affecting the design of the furniture itself. Folding chairs and stools, trestle tables with removable tops, and beds with collapsible frameworks were usual.
Strapwork, cartouches, and grotesque masks are characteristic features of this northern Renaissance style, and are found repeatedly in the pattern books of German and Flemish artists of the time—books of ornament which circulated among and influenced metalworkers, carvers, plasterers and furniture makers throughout the north. Heavy oak tables, sometimes draw (extension) tables, had massive legs and solid stretchers. Beds were heavily draped to provide privacy, as the bed might be located in any room of the house. Folding wooden chairs and low stools, with more or less elaborate turnery, were still used, besides a new type with baluster-formed or twisted legs and arms, and straight backs heightening through the 17th century.
France. The furniture of France was among the first to be influenced by the Italian Renaissance. Louis XII and many of his court visited Italy and soon took Italian artists and craftsmen and works of art into France. The French Renaissance of furniture can be divided into two stages. First was a period of transition and adaptation; during the reign of Louis XII and the first part of the reign of Francis I, the pieces were basically Gothic in form, and Gothic ornament was mixed with the cupids, medallion heads, and grotesque decorations of the incoming Renaissance style. During the second phase, from the end of the reign of Francis I, the new style displaced the Gothic. The more exuberant arabesque shapes of Renaissance decoration, however, gave way to increasingly architectural design, and oak was almost entirely superseded by walnut. Centres of furniture making were established at Fontainebleau, where Francis I employed several Italian artists and craftsmen; in Île-de-France, headed by the work of Jacques du Cerceau; and in Burgundy, where, led by the craftsman and designer Hugues Sambin, design was influenced by the Renaissance style evolved in the Netherlands.
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