First was the decoration of furniture legs with sharply profiled metal rings, one above another, like many bracelets on an arm; this was the origin of the turned wooden legs so frequent in later styles. Second was the use of heavy fringes on furniture covers, blending the design of frame and cushion into one effect; this was much lightened by Classical taste but was revived in Neoclassicism. Third was the typical furniture grouping that survived intact into the Dark Ages of Europe: the couch on which the main personage or personages reclined for eating or conversation; the small table to hold refreshments, which could be moved up to the couch; and the chair, on which sat an entertainer—wife, hetaira (courtesan), musician, or the like—who looked after the desires of the reclining superior personages. From this old hierarchy of furniture derived the cumbersome court regulations concerning who may sit and on what, that persisted for centuries in the palaces and ceremonies of monarchs.
Empire Style Furniture Designs Popular in the Early- to Mid-1800s, Antique Furniture with Roman, Greek, and Egyptian Influences. While this style was going strong in France even earlier, and the English had their Regency designs of the same influence, Empire designs didn't really take hold in the United States until about 1815. This was a continuation of earlier neoclassical styles like Hepplewhite and Sheraton, but with a much stronger influences in terms of Roman, Greek, and Egyptian ornamentation. Literally for decades, all the way through the mid-19th century, the Empire look was in fashion in America. One of the interesting aspects of Empire styles is that they were seen at all price points. The wealthy often purchased very elegant pieces while those living more modestly could more readily buy items for “cottage use,” which had plainer veneers or were painted, according to American Furniture: Tables, Chairs, Sofas and Beds by Marvin D. Schwartz (now out of print, but widely available through used booksellers).
The Rococo Chinese taste had conventions of its own: pagodas, exotic birds, Chinese figures, icicles, and dripping water. The graceful bombé commode, often with marble top and two or three drawers, the surface enriched with finely modelled ormolu mounts, was popular. Under Cressent's influence the mounts predominated, though later in the century the marquetry decoration gained first importance. Commodes and other pieces were decorated with marquetry of floral or geometrical patterns, or sometimes with lacquer decoration, again combined with ormolu mounts. The most celebrated makers of mounts during Louis XV's reign were Jacques Caffieri and his son Philippe. Jean-François Oeben was made ébéniste du roi (cabinetmaker to the king) in 1754; a pupil of Boulle, he was the most celebrated cabinetmaker of the period.
Any content, trademark/s, or other material that might be found on the Snokey website that is not Snokey’s property remains the copyright of its respective owner/s.pointgreypictures.com
In no way does Snokey claim ownership or responsibility for such items, and you should seek legal consent for any use of such materials from its owner.