First was the decoration of furniture legs with sharply profiled metal rings, one above another, like many bracelets on an arm; this was the origin of the turned wooden legs so frequent in later styles. Second was the use of heavy fringes on furniture covers, blending the design of frame and cushion into one effect; this was much lightened by Classical taste but was revived in Neoclassicism. Third was the typical furniture grouping that survived intact into the Dark Ages of Europe: the couch on which the main personage or personages reclined for eating or conversation; the small table to hold refreshments, which could be moved up to the couch; and the chair, on which sat an entertainer—wife, hetaira (courtesan), musician, or the like—who looked after the desires of the reclining superior personages. From this old hierarchy of furniture derived the cumbersome court regulations concerning who may sit and on what, that persisted for centuries in the palaces and ceremonies of monarchs.
These innovations accompanied the use of the cabriole, or reverse curve, which, about 1725, became the favoured form for legs of chairs, tables, cabinets, and stands. At first it had little or no carving and a simple paw foot, but the design was elaborated, and this cabriole leg became the principal feature of the so-called Queen Anne style that dominated colonial furniture designs until the Revolution. Walnut became the principal wood of the early 18th century. 18th century: the Rococo style. The influence of French furniture was predominant in Europe during the 18th century. In the second half of the century England played a leading role in establishing the Neoclassical style, and for supreme craftsmanship provided an inspiration to workshops in several countries; but in the diffusion of the two styles, the Rococo and the Neoclassical, French designs were universally imitated, with varying degrees of success.
From the Greek Archaic period onward many varieties of individual seats are known, the most imposing, perhaps, being elaborately adorned, high-backed ceremonial chairs of wood or marble. Like the couches, they were supported on turned legs, legs cut from a rectangular piece of wood, or legs with animal feet; they frequently had arm rails. Another type of boxlike seat with no feet and with or without a back is also found. The klismos chair was lighter and had a curved back and plain, sharply curved legs, indicating a great mastery of wood-working. The diphros was a stool standing on four crossed, turned legs, sometimes connected by stretcher bars and sometimes terminating in hoofs or claw feet. The convenience of folding stools was realized at an early date, and the diphros was popular. Greek tables were usually small and easily portable. An interesting type had an oblong top supported by three legs, two at one end and one at the other. These legs usually tapered from the top and terminated in claw feet, and the bronze and stone examples which are occasionally found show carved flutings on the front of the legs and scroll ornament at the side below the table tops. Rectangular tables with four legs were also used, as were round tops.
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