Characteristic of this style is the enrichment of every surface with flamboyant carved, turned, inlaid, and painted decoration, which strongly reflects the spirit of the English Renaissance. During Elizabeth I's reign there was a considerable and fairly widespread increase in domestic comfort, to be seen in improved construction, multiplication of types, and the tentative beginnings of upholstered furniture. A series of inlaid chests with perspective architectural scenes, often called nonesuch chests, were either imported from Germany or made by German workmen in England. They were influential in propagating the technique of inlaid decoration, which by the end of the century was being applied to every type of furniture.
Woods and Ornamentation, A number of different types of woods were used during this period including rosewood and mahogany with rich graining. Some pieces had pine bases with mahogany veneers, and when crafted nicely together they had the appearance of solid wood. Those with simpler graining in the veneer usually fall into the cottage furniture category. Marble tops on tables were also popular during this period. Ormolu laurel wreaths decorated the sides and fronts of desks and cabinets to help to prevent scratching and nicks in the wood. High relief carvings included pineapples, cornucopias, acanthus leaves, and the statement-making caryatid. “The Sphinx, resembling a Pharaoh's head on a body of a lion with claw feet, enthralled everyone. Soon claw feet became an Empire icon bedecking everything from chairs to beds,” said Frank Farmer Loomis IV in Antiques 101. However, claw feet on American pieces were mostly carved while on French styles they tended to be ormolu. He also notes that legs for tables and other pieces were often fashioned like classically shaped columns.
England. The Italian Renaissance did not affect the design or ornament of furniture in England until about 1520. Evolution from the Gothic style was a gradual process, influence coming first from Italy and, in the second half of the 16th century, from the Low Countries. In the early stages, furniture remained Gothic in form, though Italian motifs slowly replaced the older Gothic ornament. Many pieces of early Renaissance English furniture combined linenfold panelling with medallion heads and Italianate cupids, but by the middle of the century both new ornament and new forms had replaced the medieval style. About the middle of the century the direct influence of Italy weakened, and its place was taken by that of the Low Countries. The northern style of Renaissance ornament was propagated in England by pattern books, immigrant workmen, and imported Flemish and German furniture, and before long it was adapted by English craftsmen into an individual and peculiarly English style.
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