The Rococo style, a development of the Régence, affected French furniture design from about 1735 to 1765. The word is derived from rocailles, used to designate the artificial grottoes and fantastic arrangements of rocks in the garden of Versailles; the shell was one of the basic forms of Rococo ornament. The style was based on asymmetrical design, light and full of movement. The furniture of this period was designed on sinuous and complicated lines. Designs of Juste-Aurèle Meissonier, goldsmith to Louis XV, sculptor and architect, were instrumental in creating the Rococo. The repertory of ornament was large and included the C-scroll, scrolled foliage, floral motifs, ribbon, and, on occasion, trophies formed of musical instruments or gardening implements.
Rome. Principal furniture forms were couches, chairs with and without arms, stools, tables, chests, and boxes. Excellent documentary evidence is found in mural paintings, relief carvings, and literary descriptions. Extant examples are more common than those of the ancient Near East: a wealth of bronze furniture was recovered at Pompeii; at Herculaneum even wood pieces were partly preserved. As in Greece, the couch was a principal furniture form. At Pompeii couches with bronze frames closely resembled Greek examples. Gold, silver, tortoiseshell, bone, and ivory were used for decoration, with veneer of rare woods. Later couches, found in Italy and in distant parts of the empire, were characterized by the high back and sides.
The great beds found in the tomb of Tutankhamen were put together with bronze hooks and staples so that they could be dismantled or folded to facilitate storage and transportation; furniture existed in small quantities and when the pharaohs toured their lands, they took their beds with them. In the same tomb was a folding wooden bed with bronze hinges. Instead of pillows, wooden or ivory headrests were used. These were so essentially individual, being made to the measure of the owner, that they were often placed in tombs to be used by the dead man on his arrival in the land of eternity. Folding headrests were probably for the use of travellers. Early stools for ceremonial purposes were merely squared blocks of stone. When made of wood, the stool had a flint seat (later shaped concavely) covered with a soft cushion. In time the stool developed into the chair by the addition of a back and arms. Such throne chairs were reserved for use by personages of great importance. Footstools were of wood.
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