The more elegant pieces are the ones that get the most attention from collectors and antique furniture aficionados. “Empire furnishings with their undulating scrolls balancing heavy geometric shapes, complemented the Greek Revival architecture of the period. Ornament was carved in high relief; inlays were abandoned in favor of stenciling and gilded brass or bronze decoration. Other pieces were kept simple by omitting carving and emphasizing the overall line,” shared Schwartz. Furniture examples in the Empire style include the Klismos side chair, two daybed styles called the Méridienne and the Récamier, the popular pier table, the Scroll-end sofa (see a typical settee example illustrated above), and the sleigh bed to name a few.
From the Greek Archaic period onward many varieties of individual seats are known, the most imposing, perhaps, being elaborately adorned, high-backed ceremonial chairs of wood or marble. Like the couches, they were supported on turned legs, legs cut from a rectangular piece of wood, or legs with animal feet; they frequently had arm rails. Another type of boxlike seat with no feet and with or without a back is also found. The klismos chair was lighter and had a curved back and plain, sharply curved legs, indicating a great mastery of wood-working. The diphros was a stool standing on four crossed, turned legs, sometimes connected by stretcher bars and sometimes terminating in hoofs or claw feet. The convenience of folding stools was realized at an early date, and the diphros was popular. Greek tables were usually small and easily portable. An interesting type had an oblong top supported by three legs, two at one end and one at the other. These legs usually tapered from the top and terminated in claw feet, and the bronze and stone examples which are occasionally found show carved flutings on the front of the legs and scroll ornament at the side below the table tops. Rectangular tables with four legs were also used, as were round tops.
France. The transitional phase in French furniture from Baroque to Rococo is called Régence. The heavy, monumental style of the earlier part of Louis's reign was gradually replaced by a lighter and more fluent curvilinear style. The leading exponent of the Régence style was Charles Cressent, ébéniste (“cabinetmaker”) to the regent Philippe II, duc d'Orléans. In his work the ormolu (a brass imitation of gold) mounts, so important a part of the design of French furniture in the 18th century, became equal to if not more important than, the marquetry decoration of the carcass. The curvilinear form was introduced not only to externals, such as legs and supports, but, in the bombé (rounded sides and front) commodes that first appeared during this period, to the case itself. High-quality marquetry in coloured woods replaced ebony.
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