Cupboards, dressoirs, and credence (sideboard or buffet) tables were used for the storing of plate and for serving at banquets, the plate being displayed on the top and on shelves above and below the main serving surface. Top shelves were sometimes cantilevered or projected on brackets to free the front corners of this surface for use. Other cupboards were made to hold food and day-to-day provisions; in the case of food, or dole cupboards as they were called, the front and sides were pierced for ventilation. Medieval beds are known from documents and a few late examples. Recalling Egyptian beds, throughout most of this period a diagonal surface, lifting the head high, was common. Some beds had daringly cantilevered ceilings supported from the headboards.
The more elegant pieces are the ones that get the most attention from collectors and antique furniture aficionados. “Empire furnishings with their undulating scrolls balancing heavy geometric shapes, complemented the Greek Revival architecture of the period. Ornament was carved in high relief; inlays were abandoned in favor of stenciling and gilded brass or bronze decoration. Other pieces were kept simple by omitting carving and emphasizing the overall line,” shared Schwartz. Furniture examples in the Empire style include the Klismos side chair, two daybed styles called the Méridienne and the Récamier, the popular pier table, the Scroll-end sofa (see a typical settee example illustrated above), and the sleigh bed to name a few.
The cassone, or marriage coffer (hope chest), was a form on which the craftsman's skill was lavished. In addition to elaborate relief work and gilding, these coffers often were painted on the front and sides and occasionally inside the lid as well, with appropriate biblical or mythological scenes. Motifs popular with the Italian carver included cupids, grotesque masks, scrolled foliage, and strapwork. The fixed writing desk is the forerunner of the writing bureau, which became an indispensable article of furniture as writing became more general. A type of chair called a sgabello was much favoured at this time in Italy. The seat was a small wooden slab, generally octagonal, supported at front and back by solid boards cut into an ornamental shape; an earlier variety was supported by two legs at the front and one in the rear; a solid piece of wood formed the back. Another chair of the period was the folding X-shaped chair, sometimes called a Dante chair. Tables were generally oblong, supported by columns, consoles (brackets), or terminal figures, with a long central stretcher running from end to end. Italian Renaissance furniture forms reshaped the furniture of the remainder of Europe.
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